I haven’t used this in so long that there’s a post on the first page that’s like “Tom Breihan blah blah on Twitter the other day…” referring to him as a stranger because he was not my co-worker. Whoa. Neglect.
@4 weeks agoI haven’t used this in so long that there’s a post on the first page that’s like “Tom Breihan blah blah on Twitter the other day…” referring to him as a stranger because he was not my co-worker. Whoa. Neglect.
@4 weeks agoBecause letting the man get me down is super tired.
Join in, won’t you?
I like this day. My favorite kind of candy is Red Candy and my best friend and I are gonna eat heart-shaped pizza. Now, please send me any and all Ryan Gosling GIFs.
@4 months ago with 38 notes
Ye! Ye! Ye!
Today I asked Ho-Mui if she had heard the new KP song. She got super gassed and demanded a link. She thought I meant Katy Perry, but I was talking about Kitty Pryde ;(
But hey! The new Kitty Pryde song is pretty good!
(Source: hello-katy, via iheartkatyperry)
| me: | this day has totally devolved |
| me: | where my antidote to listening to all that dischord and unwound and emo |
| me: | has turned into me listening to chief keef |
| j.shep: | ahah |
| j.shep: | emo in his own way |
| me: | hahahahahah |
| me: | FAIR ENOUGH |
| me: | i mean |
| me: | my explanation is always that emo stems from being angry and not being able to process it or having the real words to say why |
| me: | so |
| me: | #bangbang |
The thing that people forget* is that Miranda July’s 1990s concept albums were terrifying. I swear to god I listened to The Binet-Simon Test one time front to back in a house by myself and had to turn on all the fucking lights.
*I think? I haven’t talked to anyone about Miranda July for ten years. I feel like her early shit is proto performance-Tumblr tho.
When I was high school, I was grounded a lot. Anyone who knows me well, knows that I am the perennial RULES GIRL. Don’t do drugs because they’re illegal. I didn’t go places that I wasn’t supposed to go. I never lied to my parents about anything but doing my homework and whether or not I went to class. While I didn’t do either of those things most of the time, I stayed being able to sweet talk my teachers and school administrators from failing out. What I did instead was make ‘zines, read every music magazine, cull through everything in Sam Goody and act a total video store rat, catch every syndicated episode of Living Single (my mom always told me that was the actual representation of my adulthood and not Friends, which I was not allowed to watch), and mail order Mail Order MAIL ORDER. My favorite place to send my babysitting loot was Kill Rock Stars, a-duh, so I pretty much bought every thing they had. All the usual suspects and every VHS comp, spoken word 7”s, and 10 Million Miles Per Hour.
It was from that Miranda July record that I decided I wanted to be a performance artist. Like, for real. My friend Alli and I did a couple “pieces” when our friends needed another opener. I also read a lot at shows and school things, too. But it was “How’s My Driving?” that really fucked my shit.
There was so much nuance to how she spoke about abuse and where it takes you. I thought I could ultimately say a lot with my words, whether it was through creative spoken word or fiction. I did well with that stuff when I was younger (17-23) but I never really thought about it again. I even dragged friends with me to The Kitchen to see July perform The Swan Tool for my 16th birthday when it was really something that BORED THE SHIT OUT OF THEM, but that’s cool. I spoke to her, fawningly, after the show. I’m sure she wasn’t used to having such a young person go on and on about her work.
When Me and You and Everyone We Know came out, she was basically posted up at the IFC Center every single day talking before and after the film. It was their theater-opener and a huge fucking deal for her. I remember being there to see something other than that and she having tea in the cafe that used to be attached before it was nothing and now is two other screening rooms. I wanted to talk to her again, but it seemed super impolite. Instead I just wrote “How’s my driving? Thanks for being you. From, Claire.”
Many years later, I went to her book release gallery thingy to get a copy of Learning To Love You More signed. The movie had meant so much to me. I read No One Belongs Here More Than You one really lazy afternoon in my grandparents house in just a few hours and that twisted my mind in a lot of ways. She could terrify me, warm my heart, make me think too much about myself and others and how we all fit together in this world. I thought when I told her about meeting her at that performance years before and how much her work effected me, she’d think it was sweet. Instead, she was sort of shellshocked and just signed my book with a feigned smile and a forced thank you. I was devastated and pretty much hated the hell out of her for a long time after that.
Ho-Mui and I went to see The Future, though, and it pissed me off a lot. I was glad that everything that happened was terrible and that she played a bad person. We then drank a lot of wine because looking into the distance of your life is really fucking scary (but shout out Greta Gerwig, who can make a film reflective of my current personal issues once a year until I die. I promise not to completely turn into gush-goo if I ever see you on the street), so we drank wine and I decided I didn’t really care that Miranda July was kinda standoffish to me at a gallery opening thing in Williamsburg on a Friday night.
I was over it enough that I got tickets to see Movie Night with Miranda July at IFC. She was showing and then speaking about Jane Campion (<3 <3 <3) shorts. I always like seeing filmmakers talk about other people’s work and what it means to them, especially in that setting. When the screening was over and she was ready to do the Q&A, she gave an anecdote about being a film program — forgive, I cannot remember, but it’s basically like the Red Bull Music Academy but for indie films and I thiiiiiiink it’s at Sundance — where Jane Campion was going to be lecturing or mentoring or something. When July saw Campion at the facility, she just completely fanned out and Campion was just like, “ehhhhh, ok. Hi, nice to meet you…” It assuaged all my shit feelings about Miranda July. And later that night, I went home and sat in my apartment, put on 10 Million Miles, and thought about how all the things I have now are directly related to all that time I spent not being allowed to go anywhere and that in my adult life, I would really want to be anywhere else.
——
HOLY FUCK. I have not written here in so long. That feels like a piece of life story nonsense trash, but damn it felt good. Maybe I’ll write about Frances Ha soon because, mary, I am still not sure how to process that.
Grace had me for Girl UN Secret Santa, which really is a present itself, and she really knocked it out of the park and touched me deeply with the thoughtfulness of her gift. First*, she gave me My Ideal Bookshelf, edited by Thessaly La Force — someone remind me why I didn’t pitch a story for Girl Crush zine — with really lovely illustrations by Jane Mount. Each page features a writer, curator, etc. speaking about their most formative and favorite reads. As much as I love books, I also love hearing people talk about the ones that mean most to them — that shaped them, made them see god. [Note: Unless I’m the only one who feels something divine when I read a collection of words that are perfect. I’ve seen the light with Mary McCarthy, Henry Miller, Norman Mailer, Ellen Willis, Cometbus, Danyel Smith, my friend David Bevan — it goes on.] I’ve made my own list, below, without the same style FOB-length description about the love and experience of reading but annotations on each one because they’re too important to me to let any of them go unspoken on.
@5 months agoTwo nights ago over Frozen Harrisons and too much Wiz Khalifa at Enid’s, Ho-Mui and I made our top 5 lists about 2012. It was really just like name five things about this totally weird year that actually made it good. These are those five things with a bit of why.
UPDATE: I just remembered the other thing was Part of Me. The scene where Russell Brand breaks up with Katy Perry fogged up my 3D glasses and is burned in my brain forever. I don’t know what KatyCatdom says about me but I don’t care.
UPDATE 2: Ho-Mui and I had new year cocktails and said what about 2012 would you keep the same. I said my cat, my friends, my new job—but in jest, cos I know that’s not what she meant. Then I said being more open. And that is to say, I am a lot better at caring that I was before. I don’t mean that about being a caring person. I have always been that and I will never stop being, even if sometimes it comes off as cruel. When it’s necessary, I do it. That’s just how much I care. What I really meant was continuing to actively participate in my own life. I did that a lot this year, especially pertaining to cultivating my career and flourishing my friendships/family. This year I will continue to do that, only for something that really needs it: Me. It starts with a major purging of shit from my apartment. I hope that act ends up being in my top 4 of 2013.
@5 months ago with 5 notes
YES, PLEASE.
ARE WE THERE YET? b/w Who is seeing the midnight screening of Valhalla Rising with me in January?
(Source: iwanttobelikearollingstone)